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INDONESIA
ARS: Jurnal Seni Rupa Dan Desain
Published by Institut Seni Indonesia Yogyakarta
ISSN : 18297412     EISSN : 25807374     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
ARS merupakan jurnal ilmiah berkala yang ditujukan untuk mempublikasikan karya ilmiah hasil penelitian, pengembangan, dan studi pustaka di bidang seni rupa dan desain. Jurnal ini terbit 3 kali setahun dengan 6 artikel setiap edisi yang jatuh pada bulan Januari - April, Mei - Agustus, September - Desember.
Arjuna Subject : -
Articles 5 Documents
 1 
Search results for , issue "No. 8/ Mei - Agustus 2008" : 5 Documents clear
DINAMIKA PERKEMBANGAN SEMI PATUNG (TIGA DIMENSIONAL) DI BALI I Wayan Seriyoga Parta
Ars: Jurnal Seni Rupa dan Desain No. 8/ Mei - Agustus 2008
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i3.270

Abstract

Sculpture in Pali was a part o f the departed spirit worship transformation practiced from thepre- history time until the coming o f the Hinduism & Buddhism and Chinese culture. At its early stage,sculpture was the materialization o f Gods in the Hindu belief placed in Pur a (house o f worship in Hindureligion) It became the fetus o f the Pali traditional sculpture that held its own fashions and rules. The nextphase ziyis the emergence o f the autodidact artists who mastered these fashions and rules. In their careercourses, they developed a new form o f sculpture that disobeyed them: This new form then appreciatedas a novel creativity which by many art observers defined as 'modern' sculpture. It ivas an assimilationo f the local values and the Western influence carried by Western artists and cultural observers to Bali.Even though it was stagnant once, Bali sculpture moved forward along tlte time dynamics. The youngartists coming from the academic world pioneered further development which led this art branch to thecontemporary art progression. The statues created were experimental, not only seen from the media andmaterial, but also from the ideas and thoughts underlying them which were represented in installation andmultimedia arts. That is why Pali sculpture has been developing dynamically up to now.Keyzvords: sculpture, Hindu, traditional, religious, modern, contemporary, and experimental
HAK CIPTA DALAM DESAIN KOMUNIKASI VISUAL Novi Mayasari
Ars: Jurnal Seni Rupa dan Desain No. 8/ Mei - Agustus 2008
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i3.271

Abstract

Copy Right is one o f the Intellectual Properti/ Right instruments to protect the creations resultedfrom the field o f knowledge, art mid literary. A> a brunch o f art, Visual Communication Design is alsosheltered by the Copy Right. The protection covers the right to announce the zoork (il ntay be the right topublish or to perform the works) and the right to copy the works. The right to announce cat: be in the formo f airing, performing, exhibiting, selling, etc. The right to copy include* the copying by photocopier andscanner machine.Copy Right guarantees a visual communication designer's economic and moral rights. Theeconomic right is the economic advantage the creator gels from his creation such as the selling and theroyalty results> whereas the moral right is the right to protect the creators' good name.Keywords: copy right, law protection, Intellectual Rights
RELATIONAL AESTHETIC DALAM DUNIA SENI KONTEMPORER Alvi lufiani
Ars: Jurnal Seni Rupa dan Desain No. 8/ Mei - Agustus 2008
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i3.272

Abstract

Relational aesthetic identified by a Tranch theorist and cumtor, Nicolas Bourriaud, has been anemerging art movement that consistent in fudging artworks on the basis o f the inter human relationso f which they represent or produce. Instead o f the artists' capability, the Relational aesthetic places theaudiences or viewers to be the key factor fo r the success o f an exhibition or performance. The number o fcontemporary artists who exercise performative and interactive techniques- which rely on others, evensometimes strangers- is growing. Without any participation from the others, there will be no art -worksprotluced.A critical thought from an art history professor, Claire Bishop, makes the development o f therelational aesthetic in the art worid even more dynamic, both socially and artistically. She studied what typeo f relation being engaged, fo r whom and fo r what reasons.Keywords: relation, audience, participation
CITRA DIRI KARTUN INDONESIA Kajian Ilustrasi Grafis pada Garis Wajah Kartun dengan Wayang Asnar Zacky
Ars: Jurnal Seni Rupa dan Desain No. 8/ Mei - Agustus 2008
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i3.273

Abstract

It has to be admitted that there is an amazing similarity between the line o f Western Cartoon andWayang Purwa. It is recommended that this universality o f cartoon is used as a feedback to present and tostrengthen the self image o f the Indonesia cartoon.It is urgent to be done immediately before the irony, when the Western people and the Japaneseexplored and developed their cartoon by using inspirations that utterly rooted m Indonesian culture,happens again.Deep awareness o f and full attention given by Indonesian cartoonists to put the root o f Indonesianculture forzvard when they do their creative process is absolutely needed.Keywords: cartoon image, cartoonists’ attention, Indonesian culture root
E-MAGAZINE SEBAGAI MEDIA ALTERNATIF PENYEBARAN KONSEP DESAIN KOMUNIKASI VISUAL Petrus Gogor Bangsa
Ars: Jurnal Seni Rupa dan Desain No. 8/ Mei - Agustus 2008
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i3.274

Abstract

The dissemination o f the visual communication design works greatly depends on the employedmedia. So far, design works can be accessed through books and design magazines and their applied media.Meanwhile, there are many obstacles in accessing books and design magazines because ofbolh its rarity andits relative expensive price. Nowadays, internet technology and the work saving in digital formal solve thisproblem. E-magazine, which was initiated by the youngsters, is the ideal tool to be a media o f expressionand works dissemination. It is answering the challenges o f the creative economy era.Keywords: e-magazine, visual communication design, the media o f expression, creative economy

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